Ozymandias – Percy Bysshe Shelley

read by Sir John Gielgud (1939)

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!”
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.

(1818)

Funeral Blues – W.H. Auden

Read by Tom O’Bedlam

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message ‘He is Dead’.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

One Art on Hidden Brain

I am an avowed podcast fiend, so it’s not surprising that yesterday I was looking for a new podcast to listen to. By chance, I selected Hidden Brain (I’ve heard much about it, but never listened to it) and its recent episode called “Fresh Starts”. It explores two stories on people losing something precious to them, but through that loss, finding something new. To my delight, the episode ended with a reading by Aimee Mann of Elizabeth Bishop’s One Art. While I recommend the entire podcast, you can hear Mann’s reading at the 45:52 minute mark. Enjoy.

Looking Back in My Eighty-first Year – Maxine Kumin

text and audio from Poems Out Loud

How did we get to be old ladies—
my grandmother’s job—when we
were the long-legged girls?
—HILMA WOLITZER

Instead of marrying the day after graduation,
in spite of freezing on my father’s arm as
here comes the bride struck up,
saying, I’m not sure I want to do this,

I should have taken that fellowship
to the University of Grenoble to examine
the original manuscript
of Stendhal’s unfinished Lucien Leuwen

I, who had never been west of the Mississippi,
should have crossed the ocean
in third class on the Cunard White Star,
the war just over, the Second World War

when Kilroy was here, that innocent graffito,
two eyes and a nose draped over
a fence line. How could I go?
Passion had locked us together.

Sixty years my lover,
he says he would have waited.
He says he would have sat
where the steamship docked

till the last of the pursers
decamped, and I rushed back
littering the runway with carbon paper…
Why didn’t I go? It was fated.

Marriage dizzied us. Hand over hand,
flesh against flesh for the final haul,
we tugged our lifeline through limestone and sand,
lover and long-legged girl.

Amiri Baraka

Amiri Baraka died on Thursday the 9th at the age of 79. While others are more qualified to speak of the man and his work, I do want to take a moment to reflect upon Baraka. It was his readings that I discovered in college that later inspired the creation of this website. He, more than other poets I had heard at the time, showed me how a poem can be transformed by a performance. I thank him for that.

NY Times: Amiri Baraka, Polarizing Poet and Playwright, Dies at 79
NPR: Remembering Activist Poet Amiri Baraka
PotW.org: Amiri Baraka’s reading of “Dope”
PotW.org: Amiri Baraka’s reading of “Western Front”
PotW.org: Amiri Baraka’s “Preface to a Twenty Volume Suicide Note”