Link Wednesday – @poemotw, National Book Award, Latimer, Kofi Awoonor

quillfox>> It was, in the end, inevitable. poem.oftheweek.org is joining Twitter. Follow @poemotw to keep up with updates (at least a few a year), receive interesting links, and banter about poetry in our modern life.

>> The National Book Award has announced its longlist for poetry. Check out the works here. The winner will be announced October 16.

>> Poetry Foundation has posted a fascinating article by Ruth Graham about the life of editor Ronald Lane Latimer. Latimer (born James Leippert) published Wallace Stevens and William Carlos Williams among many other authors. According to Graham, “he disappeared from the literary scene after just a few years, switching careers, cities, and even religions several times.” Definitely worth a read.


>> There were several articles and tributes written about the Ghanaian poet, scholar, and activist Kofi Awoonor who was among those killed during the Westgate Mall attack in Nairobi on September 21-24. Here is one from the New York Times. Another from The Christian Science Monitor. A more personal recollection comes from Paula Kahumbu. An excerpt from his “Songs of Sorrow“:

Tell them their house is falling
And the trees in the fence
Have been eaten by termites
That the martels curse them.
Ask them why they idle there
While we suffer, and eat sand.
And the crow and the vulture
Hover always above our broken fences
And strangers walk over our portion.

Wanting to Die – Anne Sexton

(source: Open Culture)

Since you asked me most days I cannot remember
I walk in my clothing, unmarked by the voyage.
Then almost unnameable lust returns.

Even then I have nothing against life.
I know well that grass blades you mentioned,
The furniture you have placed under the sun.

But Suicides have specail launguage.
Like carpenters they want to know which tools,
They never ask why build.

Twice I have so simply declared myself,
Have possession of the enmy, eaten the enmy,
Have taken on his craft, his music.

In this way, hear thoughtful
Warmer than oil or water
I have rested, drooling at the mouthhole.

I do not think of my body at needle point.
Even the cornea and leftover urine were gone.
Suicides have already betrayed the body.

Still-born they don’t always die,
But dazzled, they can’t forget a drug so sweet
That even children would look on and smile.

To Trust all that life under your tongue!
That, all by itself, becomes a passion
Death’s a sad bone; bruised, you’d say

And yet after she waits for me. Year after Year.
To so delicately undo an old wound,
To empty my breath from its bad prison.

Balanced there, suicides sometimes meet,
Raging at the fruit, a pumped up moon,
Leaving the bread they mistook for a kiss,

Leaving the page of the book carelessly open
Something unsaid, the phone off the hook
And the love, whatever it was, an infection.

(1967)

Link Thursday – twitter iambic pentameter, Emily Dickinson, Whitman given voice

Link Wednesday Thursday is back! Just in time for October. No promise that the links below will be timely or relevant.

>>Twitter seems to be a font of found poetry. @pentamatron joins in by creating rhymed iambic pentameter couplets out of random tweets. Here’s a delightful example:

>>Ever wonder what artifacts and furniture Emily Dickinson might have owned? You can even admire a brooch she owned that Flavorwire so drolly notes she might have worn “For dressing up to go downstairs.”

>>The only known recording of Walt Whitman has been made available on the Internet. There is a debate about its authenticity (it admittedly does sound crisper than this recording of Tennyson from the same time period). You can hear the audio here.

O were my Love yon Lilack fair – Robert Burns

O were my Love yon Lilack fair,
Wi’ purple blossoms to the Spring;
And I, a bird to shelter there,
When wearied on my little wing.

How I wad mourn, when it was torn
By Autumn wild, and Winter rude!
But I was sing on wanton wing,
When youthfu’ May its bloom renew’d.

[O gin my love were yon red rose,
That grows upon the castle wa’!
And I mysel’ a drap o’ dew,
Into her bonnie breast to fa’!

Oh, there beyond expression blesst
I’d feast on beauty a’ the night;
Seal’d on her silk-saft faulds to rest,
Till fley’d awa by Phebus’ light!]

(1793)

Digging – Seamus Heaney

[audio:seamus_heaney_poem_digging.mp3] (1:39)
(audio from mp3olimp)
(text from poetry foundation)

Between my finger and my thumb
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

(1966)